CATHERINE Part Three: KEEPER OF FURNISHED ROOMS

On a day that was “uninterruptedly serene, seasonable and delicious,” Catherine and her seven-year-old daughter made their way to City Hall.  The Greek-Revival edifice was imposing, but Catherine knew their task must be completed.  The Picayune extolled the day’s “true autumn weather” calling it, “genial, bracing, and inspiring.”  Still Catherine found it a far cry from the autumn days of her girlhood in Virginia.  Those days were so long ago she could barely remember them.  She was born a slave.  Now she was a free woman and had to appear at City Hall to register in the mayor’s office as such.

Atlas of the City of New Orleans Louisiana (Robinson Atlas) - Plate 7 , Part of 2nd District New Orleans

Atlas of the City of New Orleans Louisiana (Robinson Atlas) - Plate 7 , Part of 2nd District New Orleans

For decades free people of color arriving in New Orleans from outside the state had to put their names in the books kept at City Hall.  Now that the state legislature was intent upon stripping free people of color of their rights and did its best to make life difficult for them, officials were cracking down on those who violated regulations.  So to be in compliance with the law Catherine and her daughter needed to register.  It was just the two of them; like the older brother he never met, Edgard had died in infancy. 

The clerk recorded the date: September 26, 1859.  Mother and daughter were listed under different names.  Mary Virginia Becnel, a seven-year-old quadroon born in St. John the Baptist parish, had the court case that freed her written beside her name.  Lezin Becnel’s name was there as her former owner, not as her father, but the reality would have been obvious to the clerk.  She was employed as a seamstress, probably trained by her mother, whose value as an expert seamstress had taken her far.  Catherine gave her own name as Catherine Parker, a mulatto woman and keeper of furnished rooms.  Having done what they came to do, they stepped out onto Lafayette Square to the sight of a brilliant rainbow.  If only it were a harbinger of good things to come.

Lezin’s death had left her in a precarious situation.  Though never legally married, she considered him her husband.  After all, it was against the law for them to wed; a woman of color, even if she were free, could not become the wife of white man in antebellum Louisiana.  The law even prevented him from leaving money to her in his will, as she would be considered his “concubine” and Virginia alias Eugenie his illegitimate daughter, not entitled to a share of his estate.  Lezin’s sons, Lezin III and Michel, inherited the plantation.  There was no place for her there.  She would seek opportunity in New Orleans, a place where she and her daughter could blend in while pursuing means of employment lacking in the rural parishes.

While Eugenie took in sewing, Catherine was no longer employed as a seamstress.  Instead she had become a keeper of furnished rooms.  She rented rooms out to lodgers from 9 Basin Street. It would seem that Lezin Becnel must have given her some money to enable her to do this, although it would not have been included in the succession but given as cash.  New Orleans in the 1850s was booming, and transients constantly passed through the city on business.  They needed a place to stay, so hotels, boardinghouses, and furnished rooms were always full.  Hotels and boardinghouses required licenses and had to adhere to certain regulations, whereas furnished rooms did not, making it an ideal occupation for free women of color with limited resources.  Boardinghouses involved serving meals, whereas furnished rooms were exactly as they sounded: a room with a bed and other furniture.  Even though Catherine did not have to provide meals to her lodgers, she did have a significant amount of work to do to maintain her business.  She would have a spent a great deal of time sweeping and scrubbing floors, changing and laundering linens, emptying chamber pots, cleaning windows and beating carpets, and performing the day to day tasks that kept the home clean and comfortable.  It was not easy work, but it was certainly better than work in the sugar cane fields of the plantation she had left behind.  She was a free woman and was paid money in exchange for her work for the first time in her life.

The third volume of the Register of Free Colored Persons Entitled to Remain in the State was produced by the New Orleans Mayor's Office between 1859 and 1861. Free people of color who were not born in the City of New Orleans, or who were born in the…

The third volume of the Register of Free Colored Persons Entitled to Remain in the State was produced by the New Orleans Mayor's Office between 1859 and 1861. Free people of color who were not born in the City of New Orleans, or who were born in the Parish of Orleans and were emancipated after birth, were required to register with the Mayor's Office as free people of color. See Louisiana Digital Library.

Catherine had help with her business, free labor in the form of an enslaved woman.  How Catherine came to own a slave remains unclear.  Perhaps Lezin Becnel gave her the twenty-year-old enslaved woman before his death.  Or did Catherine purchase her herself?  The 1860 slave schedule recorded that Catherine, a former slave, now owned a twenty-year-old woman and a one-year-old girl, presumably the woman’s daughter.  In Catherine’s world, there was nothing unusual about free people of color owning slaves.  This was part of the reality of life in antebellum New Orleans.

Courtesy of the Louisiana State Museum

Courtesy of the Louisiana State Museum

The home Catherine occupied and from which she rented rooms was located at Number 9 Basin Street just across from the railroad station, situated between Canal and Customhouse [now Iberville] Streets.  The property was described as a “large and comfortable two-story frame residence. . .having a large hall, double parlors, dining-room, kitchen, pantry, washroom below; large and comfortable bedrooms, halls, and servants’ room above; cistern, large yard, etc.”

The location brings with it some possible implications. In March 1857, just a couple of years before Catherine moved to New Orleans, the City Council passed “An Ordinance concerning Lewd and Abandoned Women,” also known as the Lorette Law.  This ordinance was meant to limit prostitution by taxing brothel keepers in certain areas, making prostitution not as visible but still legal.  There were sixteen acts in this ordinance, but the most important aspect of the law was that it sought to contain prostitution within certain accepted vice areas.  The Lorette Law attempted to push prostitution and vice from the riverfront and most of the French Quarter into “Back of Town.”  One of the most significant areas in which prostitution was legal was on the lakeside (then known as the swamp side) of Basin Street between Canal Street and Toulouse, with a concentration around Customhouse [now Iberville].  This was the exact location in which Catherine had chosen to establish herself as a keeper of furnished rooms.  “Furnished rooms” could sometimes be a euphemism for a brothel, but not always. Whether or not Catherine was involved in this activity is unknown, but even if she herself did not participate, she would have been in a hotbed of prostitution, surrounded by brothel keepers and women who plied their trade.  Part of this area would later be known as Storyville, New Orleans’s notorious red light district and the birthplace of jazz.

Why had Catherine assumed the surname Parker?  Records indicate that she had begun a relationship with Edward Parker, captain of the steamboat Piota.  Parker was over fifty and a native of London.  Catherine probably met Parker when he applied to her for lodging.  As a steamboat captain, he would not have needed to maintain a regular residence, since he was continually traveling.  A Baton Rouge newspaper described him as “one of the oldest and best of our steamboat captains.” He owned half a share of the steamboat Piota.  Captain Parker supervised its construction in Louisville, having it built expressly for the Red River trade.  It cost almost $50,000, had a 190 foot long hull, 26-feet boilers, and was capable of carrying 2,500 bales of cotton.  The papers described the Piota as a potential “New Candidate for Public Favor,” as the boat had “one of the richest and rarest carpets, with splendid curtains and linen sheeting.”  According to the New Orleans Crescent, “Her state-rooms are all large, and with every convenience attached to them.” The vessel would make regular trips from New Orleans to Grand Ecore, Natchitoches, Alexandria, and other landings along the Red River.

Screen Shot 2020-07-01 at 12.20.34 PM.png

In June 1859, just a few months before Catherine registered as a free woman of color at the mayor’s office, Captain Parker’s fortunes took a heavy loss.  The Piota caught on fire at twelve o’clock in the afternoon just below Carrollton.  Captain Parker was up on the hurricane deck facing a furious wind.  Sparks from opening the furnace doors had been blown by the wind onto a large quantity of dry pinewood they had just taken aboard.  Disaster ensued.  The strong winds rapidly spread the flames, and Captain Parker ordered the Piota to be run ashore.  According to the Picayune, “so rapid was the sweep of the flames and dense and stifling the smoke, that all that could be done was to save the lives of those on board.”  Parker watched as his investment burned at the water’s edge; it had cost close to $50,000 and was insured for only $15,000.  Of the forty passengers on board, only one was lost: Andrew, the enslaved pastry cook belonging to Captain Parker, who jumped overboard and drowned.

Perhaps the harrowing experience and the financial loss were all too much for him.  Captain Edward Parker died on November 20, 1859.  His time with Catherine had been short-lived.  Her life seemed to consist of almost constant burials and grief.  Yet she was a resourceful woman, had adapted time and time again during the many sales she endured while enslaved, and she would continue to support herself and her child through her own intelligence and hard work.  She had garnered the attention of Edward Telfair Wilkinson, the pilot and part-owner of the Piota.  It was possible another relationship was on the horizon.

Part Four will continue Catherine’s story and introduce her children.

CATHERINE Part Two: Emancipated from the Bonds of Slavery

One month after her son Charles’s death and less than a year after arriving at Evergreen Plantation, Catherine became pregnant with her second child.  She had not married anyone in the enslaved community on the plantation.  Her child’s father was the man who legally owned her and her unborn baby.

Lezin Becnel, forty-two years old and the proprietor of Evergreen Plantation, had lost his first wife Josephine in 1842.  He was left a widow with two young sons and soon remarried.  His second wife, Fanny de Baconnais, died just two years into their marriage in 1848.  In six years time, Lezin had been widowed twice.  Did he send his factor and agent Christoval Toledano to the slave market that fateful day to purchase a woman for companionship or something more?  Or did Lezin merely tell him he was in need of a skilled seamstress and was surprised by the connection that developed between them?  Catherine’s relationship with Lezin will be forever marked by the fact that she was enslaved.  As his property, she did not possess the right to consent.  He could do with her as he wanted.  Yet further evidence shows that whatever the origins of their relationship, Lezin grew to deeply care for her and the children they had together.

On October 17, 1852, at four o’clock in the afternoon, Virginia was born.  Catherine held her new daughter in her arms while out in the fields the enslaved laborers were beginning to harvest the cane crop.  Grinding season was the busiest time of year on the plantation.

Julian Vannerson, Unidentified Girl, likely Mary Mildred Botts Williams, 1855.  Daguerrotype.  Massachusetts Historical Society, Boston.

Julian Vannerson, Unidentified Girl, likely Mary Mildred Botts Williams, 1855. Daguerrotype. Massachusetts Historical Society, Boston.

The little girl would be known by several names, each a variant of the other.  It appears her mother named her for the home she had once known long ago, perhaps in remembrance of the family she had forever lost.  Records have her as Marie Virginie, Mary Virginia, Virginia, Marie Eugenie, and Eugenie.  The connecting link is “Ginny” or “Jenny,” a nickname for both Virginia and Eugenie.  This is probably the name most people called her, just as her mother was also known as Kate.

Catherine returned to St. John the Baptist Catholic Church, the place where she had baptized and buried her son Charles, on April 7, 1853.  It is quite possible that this was not the first time she had entered the church’s doors since laying to rest her son, for that day she was prepared to be baptized into the Catholic faith along with her six month old daughter.  Had she gone willingly, embracing Catholicism as part of her new life and culture in Creole Louisiana?  Or had Lezin insisted on her conversion?  Was she persuaded, coerced, or wholly satisfied with her choice? 

It appears Catherine had been able to select her own godparents.  Adam and Pauline, both Creole slaves, stood beside her as she received the sacrament.  She forged bonds and made friends amongst the enslaved domestics.  Like Catherine, Adam and Pauline were both of mixed race and had always worked in the big house. 

Father Mina recorded the baptism of Lezin and Catherine’s daughter in the parish’s baptismal record book for slave and free people of color : “Marie Eugenie mulatresse born 17 October 1852 at 4 pm. . . Lezin Becnel is master of her and her mother and has declared her free.”  Her godparents were white cousins of her father’s, Irma and Pierre Roussel.  Lezin chose to acknowledge his daughter and take steps to free her.

Lezin and Catherine had second child together in December 1855.  They named him Edgard.  Is it mere coincidence that the daughter was named for her mother’s place of birth---Virgnia---and the son was named for his father’s---Edgard, Louisiana? 

After Edgard’s birth, racial tensions heightened in Louisiana and across the South.  Free people of color were held in increased suspicion, and a movement to strip them of their rights began.  There was a push to make any slave who was emancipated leave the state.  In an effort to limit the free black population of Louisiana, the state legislature prepared to enact legislation that would prohibit emancipation.  This new law would take effect on March 6, 1857.  Lezin would have been aware of this impending threat to the future of Catherine and his children.  He decided to take prompt action.

Lezin Becnel was required to publish his petition for emancipation in the official newspaper of the parish.

Lezin Becnel was required to publish his petition for emancipation in the official newspaper of the parish.

On March 4, 1856, the suit Lezin Becnel vs. The State of Louisiana came before the court in his home parish.  S. M. Berault represented him, and Emile Legendre, district attorney, acted on behalf of the state.  Lezin presented a petition for the emancipation of three slaves: Catherine, a mulatto woman age 24, Marie Virginie, a Creole quadroon age 3, and Edgard a 3 month old Creole quadroon boy.  The case was taken up for trial.  Twelve jurors deliberated on it, including several with the surnames Becnel and Haydel, Lezin’s relatives.  Lezin put up three bonds of $1000 each---one for each slave---and his first cousin Pierre A. Becnel acted as his security on the bonds.  The court also required the testimonies of two witnesses “as to good character and sober habits of said slaves.”

The jury delivered a verdict in favor of the emancipation of Catherine, Marie Virginie, and Edgard, and gave them permission to remain in the state.  The foreman delivered and read in open court in the now long gone original St. John the Baptist parish courthouse that Catherine and her babies were “hereby emancipated from the bonds of slavery and declared free.” 

The seemingly unimaginable had occurred.  Catherine, torn apart from her family and sold first as a young child, examined and analyzed like a beast of burden on the auction block, then later sold seven times in three and a half years---she was free.  The law recognized her as a human being, not a piece of property.  Catherine, who had held her baby son Charles in her arms as he died, enduring unspeakable loss, could now go to sleep at night knowing that her living children were free.  They could never be sold away from her, as she had been taken from her mother.  They would have a future with opportunities she could never have imagined. 

Then just nine months later, at the very end of grinding, when what was left of the cane was frozen to the ground due to temperatures in the thirties, Catherine awoke to discover that Lezin was dead.  On December 28, 1856, at the age of forty-six, the man who had given her freedom had died.  They had doted on their children together; she had known that he would always take care of them and provide for them.  With his death came not only sorrow but an ominous and uncertain future.